In 1931, Hubert
Barnes married Nora Tydeman, but it was apparent from the moment of the
honeymoon that, sexually, the marriage was not going to be a success.
Nevertheless, they stayed married until 1958. In 1932, Hubert began an affair with Constance Dart, which lasted until it was starved by petrol rationing in the war - by which time he had started a new affair with Mary, whom he married in 1958.
Hubert's
Poems for Constance Dart, 1932
In
a Motor Boat, Scilly, Whitsun, 1932
I watched the changing
pattern of the sea ;
Saw the white sand
Green through its
clarity,
Patterned across, where
the tide's hand
Passed restless fingers
through
The wavy leafage of the
rocks,
By deeper blue.
Mind patterning mind,
choice crossing taste,
Dear converse's leisure
shot through by passion's haste,
And joy in laughter
marked by sleep that calms
The body's fever in a
lover's arms -
So gazing in the
crystal of the sea
I saw in blue and green
your love for me
Ford
to Stow in the Blue Train, Sunday night
The dying leaves golden
upon the roadside
Beneath the shafting of
our hurrying light ;
The stars, the Plough,
old Andromeda,
Hang in the eternity
between the trees to-night.
Houses where men have
loved and prayed and died,
Once golden, grey with
age, cast back our light ;
The owl that
Shakespeare heard in Arden
Hoots in the woods
to-night.
Could we stop time and
check it as I check
The car that carries us
towards our bed – and night,
Then we would mock the
stars that mock at lovers,
Put out their light as
I put out the light.
Still round the darkness of our tiny covering
Still round the darkness of our tiny covering
I hear the rush of the
leaves' pattering feet,
I know that times goes
on, goes on, dear lover,
That death and love
must meet.
Yet I believe that we
shall love forever
Within the dash board's
failing light
Because within the
circle of your arms, my Constance,
Time does standstill
to-night.
Listening
in, Wednesday Night
As 'thwart the
thrusting wind and eddying rain,
November urgent on the
trembling pane,
In clear and ruffled
pattern is the calm
Design of music,
heedless of the storm ;
So Con it seemed
to-night our love should be
Athwart the storm of
life, unfettered free
Fragment
Daphne to laurel grew,
And Constance too
Above the roofs of
London Town
Put off her black
And dons her green silk
gown,
But not for me
As for Apollo
Changes to a tree.
Retrospect,
November
Dear memories of the
growing dusk,
The failing light, and
tea
At half past four with
crispy toast
In distant Banbury.
And how we climbed
Stow's twinkling hill,
Through the October
gloom,
The friendly chiming of
the clock,
The firelight of our
room.
The books we tried so
hard to read,
The clothes behind the
door,
Your new pyjamas in the
bed,
The pillows on the
floor.
The sound the brush
made in your hair ;
Your powder puff. The
line
Of your dear breasts
beneath my mouth,
Your body kindling
mine.
The scent your hair had
with my lips
In the hollow of your
eyes ;
The softness of your
body
When I lay between your
thighs.
The pounding of my
heart on yours
Our bodies mingled
deep.
Passion that ends in
laughter,
Laughter that ends in
sleep.
About
40 Years Later, by Constance Dart,
The Lonely Lady, at Uskadur
« Are you alone
here, English lady ?
Where is your man ? »
I am not wed.
« You have a
mouth for kissing, lady. »
When I was young one
warmed my bed,
But he has fled.
« Lonely lady, no
more lover,
Lady with bosom to rest
a head. »
Later came one whose
heart was weary ;
Came and rested his
troubled head :
But he is dead.
« Lonely
lady..... ? »
* * * * * * * * * * * *
*
Letter, 1947, from Nora
to Hubert.
My dear Hu – This is
my third attempt to find an adequate answer to your letter. Of course
I have been most wretchedly unhappy. The simple happiness that most
commonplace people seem to achieve so easily is quite beyond my
reach. In being maimed myself I feel that I have hurt you. I really
am not capable of being very objective about the matter at present. I
do not think marriage without physical intimacy can possibly be
considered as a permanent arrangement, and my own inadequacy in this
respect has been made worse by the habitual insecurity of our
relationship – the knowledge that I was always second best. I think
I could have achieved a good and happy relationship of this kind with
someone physically more suited to me, but we have clearly not so
suited – that seems to be that. Bodily chemistry can upset all
one's hopes and plans and good intentions. Also I feel now really
tired with the conflict. It is true that I feel that I simply cannot
make any more effort about it. And again, I am older than you –
another bad mistake. We should have had the courage to separate years
ago. It would have saved a great deal of suffering. What I have done
for you – and I am glad I have done something – is what a good
friend could have done. That is what we should have been. You on your
part have opened my eyes to many things that would have passed me by
– your love of beauty, your pleasure in simple natural things, your
kindliness, all these things have become so much a part of my life my
life and of me that I cannot imagine life without them – and how I
shall miss your jokes. And in spite of the difficulties I shall
terribly miss the only person who has ever come close to me. How much
mere touch means – it comes before speech and is infinitely more
reassuring. How cold life is without it. The incredibly insensitive
harshness of my early life made me shrink from it – I could not
trust it – that I suppose is at the core of my failure, so simple
and yet so fundamental.
I shall not always feel
so unhappy. Ordinary life breaks in and one cannot live at such a
level, and there is no one here to talk about it – if I could bring
myself to do so.
I already feel a little
better for having said so much and the load of lead which has been on
my chest for days is somewhat lighter. The trouble with me is that I
cannot take things lightly, and I haven't the sort of sense of humour
to cope with difficult problems like this.
You asked me : Did
I want to sleep with you ? The answer is Yes a thousand times if
only I could feel sure of your confidence in myself, but these two
conditions are not satisfied and every time the sense of impending
fiasco gets me down.
I don't think however
long I go on writing I can get any further at the moment. What I want
just now is your shoulder to cry on - and this is hardly a suitable
letter to send to an invalid.
Yours lovingly, Nora.
Nora to Hubert, August,
1947
My dear, was glad to
get our letter though I have not had time to answer it till now. Yes,
of course, Hilary has been worthwhile. I have delighted in him, and
in your companionship with him. He has satisfied maternity, but that
is not the same thing as an adult relationship. You do not find
fatherhood sufficient and no normal woman should find maternity
sufficient – tho' she may have to, and perhaps then only in
'sublimated' form. I was too immature to form an adult relationship.
I understood at 50 what I should have experienced at 20. However I do
perhaps understand my own failure and I hope I shall not be crabbed
about it.
All my love, Nora
Nora to Hubert, August,
1942
My dear Hu, Very many
thanks for your letter – both parts. Women as you know get a
peculiar satisfaction from having someone to look after even when
they curse the bother ! I often realise when you are away par
exemple how deadfully I should miss you and having to « do »
for you, and also I feel dreadfully inadequate that I can't satisfy
all of you. At the same time I don't seem to know any marriages where
both partners are competely satisfied all round! There are supposed
to be such. I know that you are fond of me and I of you and that we
both love Hilary – and there is a whole lot of satisfaction in
these three facts. I consider myself rich in many things – we all
have to be poor in some I suppose.
We are all set for
Tuesday [we were going for a holiday in Cornwall]. Hilary is
nearly beside himself, as you can imagine. Sambo got acute distemper
and I took him to Machin to be destroyed. Hilary is already planning
to have a little girl kitten who will grow up into a muvver, and has
added the festival of 'Nasty Friday' and 'Cash Wednesday'. Hilary
Daniels controlled herself with difficulty when this came out at
supper.....
* * * * * * * * * * * *
* *
Two Poems by Nora
Tydeman, address at the time 1 Lansdowne Road, Bedford, which probably
dates them to her period as a school teacher between her London
University English degree course and her later psychology degree
course (to which students were not admitted until the first degree
was followed by three years work experience). This suggests the poems
were written in the early 1920s.
Disinherited
Once, the brown earth
upturned between my feet,
There sprang within me,
swift and passing sweet,
A pregnant thrust of
life. The wild flower knows
That urgent quickening,
and awakes, and grows.
And in that moment, I
and the Earth were one :
I shared the secret of
wind and sun,
And river; sang in my
heart their song.
Knew Beauty to be
Truth, and was made strong.
Sometimes I see no star
within the night.
Behind the shadow no
transfiguring light.
Thy wonder, Earth, is
there, but dark to me :
Only the meek of heart
inherit thee.
N. M. Tydeman
As you pass by, perhaps
I shall be there,
And in my heart will
spring a joy like pain,
To feel the sudden
quickening in the air,
And know the swift,
awakening touch again.
I have set sail upon
Life's unknown sea :
I think where 'er I go
that I shall find
The miracle that is a
part of me.
Shall know all darkness
has the sun behind.
N.M. Tydeman
[From a later
collection of Nora's verse, this one probably from the 1970s]
Not
Hungry, Only Starving
“No,
I'm not hungry,”
Cries
the old woman.
“No!
I couldn't touch it.
Not
without a touch of love.”
They
bring me food to keep my body going.
It's
only inside I am dying.
Silence
fills the room through the telly's chatter.
That's
what's the matter.
“If
only you would share my cheese and soup
It
would be bread and wine.”
* * * * * * * * *
Hubert's Poems for Mary
Pierce, who became his lover in January, 1940, when they went for a
walk on the Berkshire Downs near Streatley, and whom he finally
married in 1958.
The
Downs
I can recall our Downs
in many colours,
Gay with bugloss,
crowned with clouds in May,
In winter the trees
dark above the furrows
Marked by powdered
snow, and failing day
Touching the distant
hills with gold as we retraced
Our footsteps through
the dusk with fingers laced;
But more than colours
that the days have lent
Does tour dark beauty
give me my heart content.
The
Garden
February
You came bearing
flowers of spring, yet snow
Covered the garden in
the light of morn.
We heard the clock
chime, but there was no flow
Of song at dawn.
May
I felt you stir within
my arms as light
Revealed to us the
wallflower's golden flame,
And touch, the eye of
darkness, changed to sight,
And spring was Queen
again.
July
We saw the moon rise
huge through summer's haze,
Paced linked on turf
wet with summer's dew;
We kissed beneath the
walnut's leafy maze
And pledged our love
anew.
November
And now the rustling
leaves tell of your presence,
You come to me beneath
the autumn sky,
Chestnuts are bare, and
yet the fir still whispers
'My love and I'.
1941
'When
Peace Returns'
When peace returns we
will rebuild the pattern
Of life we used to
know, for still I dream
Of country where we
moved across the hills
To reach the sea and
stood upon the rocks
As the sun sank, and
went and came at will,
Passing the uncrowded
days, the world forgot,
Without fear of
expectation
Disappointed.
The shallows greener
seem, the deeps more blue,
The sand more warm to
feet than sand we knew,
And only curlews call
upon the marsh
When evening comes,
where now the bomber's drone
Disturbs the silence.
Then I will carry in a
haversack
Fruits from the isles
of Italy and Greece,
Sweet Spanish grapes to
press upon your lips,
Spreading our meal upon
a granite slab
Among the heather,
where the summits rise in blue
Beatitude.
Across the sea
mountains will call you, Mary,
For sloping meadows
wait in flowery dress.
There my imagination
walks beside you
To share the silence
lovers make heir own.
Crossing war's
barriers, even as a pilot,
Girdling like Ariel the
narrow sea,
Is carried by a power
infinite upward
Till, human distance
vanquished, like an eagle
He sees the Alpine
snows!
1942
A
Sonnet to Commemorate June 1st and June 2nd, 1941
A year ago on that June
day we went
Over the windswept
Downs and saw below
Across the patterned
fields Avebury, pent
Within its earthwork
ring. I loved you so
My heart sang, Mary.
All things gave assent
To our linked arms and
interlacing hands,
The cowslips danced,
the fir trees sighed content.
I picked a sprig of fir
to send you after
We had returned and
left the Downs again,
This to recall our
private world of laughter
Beside the twilight stream and blue-belled lane
Beside the twilight stream and blue-belled lane
In Sunday's warmth, in
Monday's wind and rain.
To-day a year of
water's passed the leat,
But like your spray our
love is no less sweet.
Return
The light has faded.
Come, Oh come, dear lover,
And fill my heart which
beats for your return.
The day is done that
parts us from each other
For I have watched time
pass and distance turn
To nearness.
The train has stopped.
Persephone anew
You rise to greet me
from the wintry earth,
And bring him riches
who would always strew
Your ways with
happiness. Affection, warmth,
Companionship and
pleasures shared you bring,
Flowers and deep music,
hills and trees in spring -
These in a narrow bed
when you are there
Within the compass of
your arms you bear.
Your steps are quick,
and now upon the stair floor
Clear sounds the rhythm
of your hurrying feet.
Our lives rejoin.
Oh Mary, this wide door
Through which you pass
my welcoming lips to greet,
Stands as a symbol of
the central core
Your body holds,
through which I pass to meet
Your spirit joined to
mine till both are one, complete.
5th December, 1942
The
Emperor Concerto
Through the misty
winter's gloom
Of a December afternoon
A thousand people sit
in rows,
The violins sing, the
woodwind blows,
And high above the
trumpets blare,
Pianoforte fills the
air,
Tracing among the
lamps' high beam
The thread of an
imperial theme,
Striding across the
roof's great space
In lovely arabesques of
grace.
Yet I confess I cannot see
Yet I confess I cannot see
The sound filled hall's
immensity.
My kingdom here's a
little space
Within your fingers'
warm embrace.
Upon the stage the
fiddles bow
In ordered movement to
and fro;
At beck of the
conductor's arm
The troubled rhythms
sink to calm
Or in tempestuous
courage state
The challenge of
mankind to fate.
Oh lovely sound that
can embrace
Such immaterial mystic
grace!
Oh courage of a lofty
mind
To triumph when the ear
is blind!
Oh paradox that makes
us free
Of crowded contiguity,
And in the midst of
many men
Gives us our solitude
again!
For here are only you
and I
In face of Art's
immensity.
For us alone the violins sing
For us alone the violins sing
Their treble accents
echoing,
For us alone the airy
maze
Is patterned to the
trumpet's phrase,
For us alone the
movements go
Andante to Adagio.
Linked thus together
hand in hand
And listening so we
understand
Through the concerto's
soaring art
The secrets of the
inmost heart.
Albert Hall, December 6th, 1942
'The
Cowslips tall her pensioners be'
Only the vaulted fern
in sight
To roof thee with
viridian light;
The walls the stems, an
endless forest;
Thy bed of ferns of
last year's harvest.
Gay willow herb to deck
thy house,
The squirrel and the
rustling mouse
To watch with an
incurious eye
The secrets of our
ecstasy.
Here shall they heart enraptured be
Here shall they heart enraptured be
And lover's arms
encompass thee.
21st July, 1943
Albert
Hall Promenade
High in the vault we
live as in a dream;
Colour is quenched,
people are silent shadows
With insubstantial
footsteps, faces seem
As marks of bone or
wood.
The eye looks through
dim arches, yet I see
No object for the
sight;
The hooded lamps throw
down their beams,
I cannot trace their
flight.
But love is not a
dream; my arm shall hold you
Feeling your weight
under its circling ring,
And as the music
reaches upward to us
My heart shall awake
and both our hearts shall sing!
February 20th, 1944
Lines
on the Downs
Come climb the track
between the flowering lime
To reach the bare high
beacon on the hill,
To lie upon the turf
whose scented thyme
Collects the bees to
drink their hungry fill
Of wind blown nectar.
Here is distance, peace,
Lark song and peewit
call, the sighing wind
Blown across the graves
of ancient men
Long dead. The turbid
city and the crowds,
The inhabitants of
another world,
Are far away. But not
as strangers here
We stand; the wind
blown distances are yet
Familiar to us, and all
that we behold
Gladdens us with
memories of other years
We walked these hills
together; in snow, in frost,
Across the plough in
spring and through the harsh
Short spikes of autumn
stubble; trudging home
Through growing mist,
or seeing the round moon
Hung low upon the
hills; nor strangers here
To one another do we
wander still
In handfast love and
quietness, knowing well
That all the beauty
that we here perceive,
And all the pleasure of
the downland scene,
Hereafter will inform
our mutual joy.
June 30th, 1948
Six-Jeur
to Fenestrale by the High Path
Symbol of life, the
path climbs very high
Between the mountain
and the lucent sky.
Then kiss! From busy
village far below
The distance veil us.
Here we truly know
Freedom from earthly
care, a rising joy,
A lightening of the
load of chore and ploy.
Though here's a tiny
path, a hair to part
And cross the mountain
side, yet in your heart
Secure I stand. Pause
and reach down and feel
Our fingers grasp.
Linked by their tender seal,
Still climbing, life
will draw us on
From earthly places to
the sky's high throne.
December 25th, 1952
Morning
at Paddington
Though to-day we part
our way,
You to work and I to
play,
Images of warmth and
joy
All live on. Still I
employ
The tongue to touch,
the hands to feel,
The lips the hidden
eyes to seal,
The finger tips o'er
skin to move
To trace the anteroom
of love,
And muscles then to
turn and lie
Where sword is sheathed
In ecstasy.
January
3rd, 1953
The
Flowery Pilgrimage
Sweet chimonanthus
greets the year
And soon the snowdrop
spikes appear,
Pushing through the
damp their way,
Jewel like upon the ear
of day.
Within their moss-lined
box they bring
Dear memories of
wartime spring
And of the darkened
city where
We made our journey to
Cythère.
Red polyanthus thus
fringed with green
Provide a posy for my
queen.
The daffodils, narcissus too,
The daffodils, narcissus too,
Recall the scents and
joys of Kew,
Scattered like stars
below the trees
In gardens of
Hesperides.
Maytime the cowslips
wave among
Long grasses by the
lonely barn,
And tiny milkwort's
azure eye
Repeats the blue of
summer sky.
Picnics are here, then let us go
Picnics are here, then let us go
To saunter where
azaleas grow,
Touch rhododendrons
spotted lips
Where Cliveden's lawn
to river slips.
Scented July will watch
us climb
The lane all sweet with
tasseled lime.
And when the autumn sun
shines low,
About the copse's edge
we go
To break the brittle
spindle, red
With flame like glow
above your bed.
Now winter's dark has
come again,
Unfold the white
coiffed cyclamen,
A group of nuns upon
your shelves
They nod in talk among
themselves,
But play that leads to
Venus prone
They disapprove, nor
look upon.
(With city violets and
carnation
She's courted in
another fashion!)
So let the flowers, my
love, for you
Fresh pleasures bring
and past renew.
February 6th, 1953
The
Thimble
Tiny the gift, and yet
the heart in choosing
Quickens its pace,
Imagines fingers moving
With dextrous grace.
Slender the finger yet
its shell of steel
Defends, protects from
harm;
Tender the heat yet not
afraid to feel
In understanding's
arms.
Outward the silver
shines
In glittering form;
Inward the spirit lies
Secure and warm.
Empty the cup awaits
Fulfilment's finger;
Naked the body seeks
Complete surrender.
December 29th,
1953
The
Veil of Ariadne
Accept, dear love, this
silken rail
As soft as Ariadne's
veil,
Which swirls, her
beauty opening wide,
The curves one privacy
to hide,
Like wind-filled sail.
When you put off your
daytime dress,
Let this silk gown
your skin caress,
As light as lips that
gently pass
Across your brows, or
breath on glass,
Nor less, nor less.
So by the veil's
transparency
Your body's form
revealed shall be,
And gossamer your grace
express,
Adding to that fresh
loveliness,
A lucency.
Your leaf-crowned
Bacchus cannot fail
To draw back Ariadne's
veil!
Translucent, yes, and
light as lawn,
But to desire it sets a
bourne,
A pale.
So think not through
this gown he brings
He has no other
offerings,
And keep your veil.
This silken shift
His hand above your
waist would lift
A furléd sail.
January 27th, 1954
The
Wish
I want each day to be
wcrowned by affection,
That heavenly gleam,
The wren going into the
nest; and connection,
Walking hand in hand
along paths with yew hedges
And under beech leaves
in the spring. The green sedges
At the Chinese temple
for tea,
And the scent of
azaleas, and privacy, you and me
By the fire.
Expectation and likeliness
Of your coming, and
seeing you walk from the press
Of people, and leisure
and time, and the feeling of continuousness.
February 7th, 1954
The
Gifts of Ariadne – the Ring and Crown,
Life is a bond
two-stranded – yours and mine -
Twisted about with
seasons, days and years,
The pattern of our
several weeks which twine
Like bedded lovers.
Larks above, half heard,
On Down, and the
flowered turf of summer; hares
Moving across the
crescent corn in spring,
Wide spaces! Then your
room, quiet and enclosed,
Serene with growing
things; autumnal warmth
To cold; lamps haloed
in the murk and winter's
Driving rain.
But always is
the bond imperishable,
The proffered ring; the
symbol, sign and key
Bacchus to Ariadne
gave; and stars,
Th' experience by which
our love is crowned,
The gift of Venus to
the naked self,
As in the grave and
sensuous art
Of Tintoretto.
Lechlade, May 12th, 1956
For
Mary
Come, love, leave the
throng and press
To share with me your
separateness;
Walk through the dusty
crowded street
To find our private,
quiet retreat,
And in our room make
the catch fast
Until the hours of
night are passed.
What can I say, what
can I do
Which can express my
love for you?
What image can I use,
what art
To tell the stirring of
my heart?
My finger tip to trace
your eye,
My lips that on your
forehead lie,
My forearm for a
pillow's stead
To bear the weight of
your dear head!
The fears that gather
as I press
My love, my lamb, my
happiness!
Mary, dear heart, I
have come home
And Plato's apple is at
one.
The curtains show the
light of day,
But our world's from
the world away.
Newbury, April 15th, 1957
May
Hill
Then I went up the path
alone
And thought of all that
we have done.
The meadows, moorland,
Down and hill,
The purple mountains
calm and still;
The buzzards mewing
overhead,
The peewits on their
earthy bed;
The hares swift-moving
on their path,
The kettle boiling on
nits hearth.
Our England's beauty, which we found
Our England's beauty, which we found
In stone, in colour,
sky and sound;
Her houses, churches,
houses – all
Her legacy historical.
The Alpine peaks with
icy crown,
The saffron in the
meadow strown:
The mountain valleys
far from men,
That we have sought and
found again.
The heights achieved
for which we strove
To add new facets to
our love.
“Then, tell me, what
is wealth?” I asked,
As through my mind the
memories passed.
'To hear upon this
autumn hill
The sound of your voice
calling still:
And faith which knows
that you will come
However far I am from
home.'
October 9th, 1957
Mary
You are the memory of a
hundred joys,
Joys because you were
there,
Illumined, sunset
golden
Free from care.
You are the rainbow in
the sky,
The cowslip in the
grass,
The secret combe;
across the hills,
The hidden pass.
As noon walks on the
Downs,
The ascending lark;
At dusk the incised
trail,
Out-staring dark.
You are the enclosed
place,
The answer found,
The heart of stillness
And the trumpet's
sound.
You are Demeter's
earth,
Myth deep, alive,
To nourish, warm
enfold,
And man revive.
Your are my journey's
end;
As pilgrim shrine,
My spirit urgent,
faithful,
Seeking thine.
Droitwich, December, 1957
To
Mary, with gratitude and love
Bed-bound and weary
here I lie,
But watch the trees
against the sky.
Tied by the legs, I can
yet see
The sunset's dying
pageantry.
The water, brought from
far away,
Speaks to me always of
that day
In Elan's valley, where
we stood
Clasped arm in arm to
watch its flood.
Westward wind, which
agitates the trees,
Tells me of other
scenes than these!
The sheep-cropped turf,
the mountains black,
The torrents and the
climbing track.
Oh Mary by your love
give me
The faith to hope one
day to see
The buzzards circling
o'er the moor,
The curlews calling
from the shore.
Woodlands Hospital, Birmingham, February 21st, 1958
[The author,
following a particularly severe attack of sciatica, was lying in bed
with weights on the end of his legs, being stretched in order to
release a pinched sciatic nerve. It was a long and extremely
unpleasant treatment, but it worked. He never had trouble with
sciatica again)
A
New Land
Over the close turf of
the curving down
Where the hares chased
and played in windy March
We wandered hand in
hand for the brief hours
We had together.
Below us in the gap the
winding Thames,
Broad and majestic from
the Cliveden heights,
Was terrace-crowned; or
beech-topped Wittenham climbed
We saw the Ridgeway's
line.
But now our land is
changed. The little streams
Crossing the wolds,
Windrush and Evenlode,
The orange ploughlands
gleaming wet in spring,
Houses and churches
alchemized to gold,
The lights below us in
the return at night,
Tells us of home.
Yet still we bring to
our new land two hearts
That have not changed
and still possess their past.
Adlestrop, Christmas, 1960
The Swallows
The wolds are sleeping
wrapped in grey
Under the wintry sky,
The Sun moves low at
noon to where
The day will early die.
I cannot bring the
swallos back
Before the cowslips
blow;
I cannot warm your hand
with mine
If both are chilled
with snow.
So I will hang a token
where
It will foretell the
spring
And warm you heart with
thoughts of May
And swallow on the
wing.
Adlestrop, Christmas, 1963
For Mary on January
24th twenty three years later
Hold to the past! We
cannot go
Beyond its ebb and
flow.
We only certainly
possess
Experience's gold,
impress
Of courage long ago.
He: Oh let me lie
against our breasts
And see the mountains'
sunset crests
Above the fields of
snow.
My hand along your curving though
My hand along your curving though
Traces the Down against
the sky
And gently rests below.
He: Upon her quilt of
green and red
Is stretched Demeter on
her bed.
High high above her
from the air
I see the secret places
clear,
And as I move across
the sky
Rise up her mountains
swellingly.
Thus as you stir below beneath
I feel your every inward breath.
Thus as you stir below beneath
I feel your every inward breath.
She: Then fly the Gulf.
On either hand,
A goddess' limbs, the
mountains stand.
And in between the
cobalt space
The pointed ships
incise their trace,
Steering to find the
narrow water
Which leads to
Acrocorinth's daughter,
A deep-cut,
martin-haunted strait,
Symbol of Aphrodite's
gate .
Outside we lie divided,
twain;
Then enter, lover, and
be one again!
Adlestrop, 1963
An Empty House
The house is empty. On
the bed Badger sleeps
Keeping the light out
with one black paw.
The garden is quiet too
apart from the noise
Of the leaves in the
wind.
Ring the bell. Is
anyone there?
Yes, we are there for
this is our house.
Our spirit nourished,
loved and cherished it.
Long View, Nether Westcote, Radcliffe Infirmary, 1967